Like Blues Pills, the most unique thing about The Oath is the vocals. Johanna Sadonis' bewitching vocals are the centerpiece of the album. They're confident, passionate and fit the lyrics quite well.
Musically, The Oath fit perfectly into Rise Above Records' roster of bands, joining such doom heavyweights as Blood Ceremony, Angel Witch, and Uncle Acid & the Deadbeats. They basic style could be said to be 60's/70's garage rock meets doom but it's obvious that they are incorporating a wide range of influences. Just some of the identifiable influences include Black Sabbath, King Diamond, Blue Cheer, Saxon, Motorhead, and Iron Maiden.
Yet, don't be fooled into thinking that this is merely a thrown-together hodgepodge of disparate influences. Rather, it's a focused, musically adept project that sounds great from start to finish. Songs such as the immediately catchy "Night Child" and the somber, psychedelic "Psalm 9" are evidence of this duo's success in cultivating their own musical identity, thus enabling them to stand out from the crowd in an over-saturated metal market.
Overall, even if it's not particularly ground-breaking, "The Oath" is a creative and thrilling album to listen to. There are plenty of killer riffs and instantly memorable choruses to keep you busy for quite a while.